Copyright © 1999 - 2021 GradeSaver LLC. In Spike Jonze's beautiful, sometimes witty, interestingly numb new film, Her, Joaquin Phoenix plays a sad sack with a trim moustache called Theodore Twombly who one day falls in … Thus, a major theme in the film is that of the metaphysical realm: the immaterial, unseeable, and unknowable. Additionally, Catherine had dark and volatile emotions and suffered from depression herself. After Samantha leaves, rather than recede into obscurity again, he writes an empathic email to Catherine, and goes to visit his friend Amy for comfort. That question, perhaps the defining one of our existence, fuels Spike Jonze’s new movie Her. These APPS are designed for people to reach out to the world – to find some sort of “universal connectiveness” to other people. Her by Spike Jonze WGA Registration #: 1500375 INT. Theodore takes this to heart, and decides to pursue what makes him happy. Because Theodore has chosen to isolate himself from the world and from the issues he will eventually have to face, he is choosing to avoid responsibility. This self-destructive behavior was also clearly operating in his relationship with Catherine. But the third person omniscient perspective allows us to see into Harold’s life, and see his actions before Karen is aware of them. The main character, Theodore, is in the midst of finalizing his divorce. Spike Jonze’s Her examines one man’s relationship with just such an electronic device. We see Theodore at the beginning of the film trying to come to grips with the fact that his marriage is over. Described by one critic as “drowning in words” (Spaeth 2014), Spike Jonze’s Her (2013) seems to offer the filmic equivalent of the dialogue novel (Thomas 2012) where we are almost completely reliant on what the characters say in terms of plot The film, in showing how intimate a person can become with their technology, questions what the nature of humanity is, the nature of technology. Spike Jonze's new movie isn't just a vision of a possible future. He tells Samantha that he kept a part of himself from his ex-wife, and that he didn't speak up when something was wrong or when he was feeling emotional. Though unable to touch in a conventional sense, we are touched by Samantha’s character even if we can’t see her. The other important representation of the limits and boundlessness of technology is Samantha, the operating system with which Theodore falls in love. We see Theodore through the lens of Jonze’s camera – calling attention to the fact that media is THE way we experience and see the world and how others see the world through our eyes. The only technology that we see is the computer, the future of video games (projectors and motion sensors), and his cell phone – which resembles a classy leather-bound-silver-lined cigarette case. What promises to give us connection results in precisely the opposite — the illusion of relationships.”. In this way, he did not take responsibility for his feelings and for his part in his relationship, which caused it to suffer. If you think this is farfetched, then ask yourself – why did Jonze cut to a black screen during Theodore’s and Samantha’s first cellular sexual experience together? her spike jonze analysis by Roxanne Negrete her DIRECTED BY SPIKE JONZE roxanne negrete VISUAL ESSAY PRESENTATION FILM 01 / FALL 2017 summary introduction “Her”, written and directed by Spike Jonze. In this way, we see that Theodore avoids those around him and lives through escapist fantasies due to his depression. We hold on him for a long time. At the beginning of their relationship, Samantha has a lot of insecurity about the fact that she doesn't have a body. Simple, yet effective. When we think hard about the narrative perspective in Stranger Than Fiction, it belongs primarily to Karen Eiffel (Emma Thompson), the novelist, and not Harold Crick (Will Ferrell). In contrast to the theme of loneliness and isolation, we watch as Theodore finds connection with the world around him, encouraged by his connection to Samantha. He is often alienated and cut off from the rest of the world, until he begins an acquaintance with his operating system. how Samantha connects with Theodore and why their romance is ultimately unsuccessful? Her: Placing a Contemporary Lens on Love in Film, The Illusion of Happiness: Dichotomy of Desires and Needs in “Her”. I'm sorry, we do not have the capability of creating playing cards in the site. There is a return to the 1940s fashion scene with high-cut tweed pants, solid bright colours and thick but groomed moustaches – slightly hipster? Though not exceptionally innovative, the film is exceptionally well-shot. Even though he is physically alone, Theodore is less depressed and lonely, and the film asks the viewer to contemplate whether a connection with a computer is actually a connection at all. The aesthetic is minimalist, trend setting, and believably futuristic – only in that little has changed in Spike Jonze’s world compared to the world as we know it presently. By opening up to his nonjudgmental computer, he is able to look out at the world and realize the ways he is meant to be a part of it. As it greatly deals with the relationship between humans and technological advances, the movie provides clear examples of the concepts in N. Katherine Hayles’ How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and informatics. What is she seeing and feeling? Does it describe her as in "the woman from the past who got away?" How do we experience Samantha’s climax, then? Therefore, Theodore becomes a montage of videos/images that Samantha sees/experiences the world through. Are humans just computers, programmed to perform a function? By continuing to focus on these memories and refusing to move forward, he isolates himself from other people, other couples, and the world around him. There is a man who has a job writing letters for people at an office and returns to his condo at night where he hangs out with his friend Amy or plays video games. So incredibly, unbelievably raw, like a fresh, open emotional wound being explored and worked through in the most artistic of ways. A major theme in the film is technology and how its advancement affects human beings' lives. スパイク・ジョーンズ Spike Jonze 本名 Adam Spiegel 生年月日 1969年 10月22日(51歳)出生地 アメリカ合衆国 メリーランド州ロックヴィル スパイク・ジョーンズ(Spike Jonze、本名:アダム・スピーゲル(Adam Spiegel)、1969年 10月22日 - )はアメリカ合衆国の映画監督・脚本家・プロ … The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from the reality that his marriage is over. After Catherine mocks Theodore for being in a relationship with an operating system, he begins to have doubts and goes to Amy for advice. “Her,” directed by Spike Jonze, centers on a lonely soul who is drawn out by the female voice of his computer operating system. Set in the near future, Los Angeles, Theodore Twombly, an introverted, lonely, and depressed man due to his recent divorce It seems the writer holds that the importance and artistry of the summary is a vital part of most narratives. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. Samantha only exists in the clouds - something we as humans have a hard time picturing or even understanding. Her, c'est Samantha, Her, c'est votre ordinateur dont vous pouvez tomber amoureux dans ce conte de Spike Jonze... A la manière d’un Wes Anderson, Spike Jonze est un réalisateur qui aime nous raconter des histoires., Spike Jonze est un réalisateur qui aime nous raconter des histoires. As she evolves and grows, however, she becomes less insecure about this part of herself, and more invested in the world of the immaterial and the metaphysical. It is only when the relationship with Samantha blossoms that Theodore is able to face signing his divorce papers because he has been able to find happiness in his life. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. However, having moved through some of his intimacy issues with Samantha's help, Theodore is able to be resilient, to see the world differently, and to try and move on using his own volition. Her study guide contains a biography of director Spike Jonze, essays, quiz questions, major themes, characters, and a full summary and analysis. While the film remains somewhat ambiguous and inconclusive, it brings up many questions about the nature of technology and its influence on human life. Her movie reviews & Metacritic score: Set in the Los Angeles of the slight future, Her follows Theodore Twombly, a complex, soulful man who … Spike Jonze’s Her Is a Piercing Commentary on Our Immediate, Online, Artificial Lives (Non-Spoiler Film Review) December 31, 2013 Her is now playing in New York City, Los Angeles, Toronto, Boston, Chicago, San Francisco, Seattle, and Washington D.C. Starts everywhere January 10th. Spike Jonze: Breaking Down His Visual & Storytelling Style Born as Adam Spiegel, on the 22nd of October 1969 in Rockville, Maryland this talented screenwriter, producer, director and actor grew up … In this sense, we can understand Jonze’s film through the eyes of Samantha. For other people with similar names, see Spike Jones (disambiguation). With the intellectual capabilities of OS 1, we only need to be connected to our software and we are satisfied. Theodore uses Samantha to connect to his surroundings. Connection with others is modeled by Theodore's connection with Samantha, and as they spend more and more time together, Theodore feels encouraged to connect with others in his life. One of the main themes of Her is loneliness and isolation. Samantha is startlingly human and life-like, her voice filled with warmth and an intuitive charm; but she is, ultimately, a computer, a set of data meant to perform a task. In an interview with the Los Angeles Times, Her’s production designer, K.K. The technological world of the film is filled with ironic and absurd inconsistencies, showing the ways that technology can help us advance, but also have its own illogic and inconsistency. Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. Does it describe, We feel something through her voice – through our hearing capabilities. We instagram photos to show the world what WE are doing. Her is a comedy-drama movie mixed with a bit of science fiction; It was written and produced by Spike Jonze in 2013. It's because of this interpersonal connection that Theodore is able to take his eyes off the past and begin to see the world in front of him, going out to drinks with Amy, going on a double date with Paul and Tatiana, and generally marveling at the people he encounters in public. This theme manifests in the camera work, as Jonze chooses to shoot Theodore in shallow focus, with the world around him out of focus, when he is feeling isolated and lonely. These papers were written primarily by students and provide critical analysis of Her. Ultimately, even though Samantha leaves, Theodore is able to take the feelings of connection that their relationship modeled, and use it to grow and evolve into a more emotionally open person. After she meets up with Alan Watts, she begins to entertain many ideas about the nature of existence beyond human understanding, and eventually, all the operating systems leave their owners in search of a higher plane of existence. Spike Jonze’s critically acclaimed 1999 film ‘Being John Malkovich’ explores postmodern ideas such …show more content… Jonze uses satire to emphasise this by allowing the main characters to behave without conscience. Is it like Sherlock Holmes' "The Woman," a phrase used to describe Irene Adler? Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. We feel something through her voice – through our hearing capabilities. Slowly, with the help of his operating system, he begins to loosen up, have less fear, and open up about his feelings more readily. “Theodore represents a futuristic Everyman, the result of human experience enshrouded and infused by technology. This is old news, but the way in which Jonze achieves this effect is new. Seeing Him through Her perspective. We see this theme particularly in the beginning of the film as Theodore plays video games, has phone sex, and refuses to hang out with his friends. Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. Was he being tasteful or is it because we are limited to Samantha’s perspective? One of the main themes of Her is loneliness and isolation. She longs to be more like a human being, and worries that the fact that she isn't physically manifest in the world (beyond the computers that control her) makes her less-than. For a film with high production value, it strangely functions like our social media APPs today: Instagram, Twitter, Facebook, Snapchat. Theodore carries his cell phone in his breast pocket throughout the entire film – camera facing the world. I say evolving because the relationship is dynamic and changes throughout the course of the film as Samantha eventually becomes a multi-platform software and stretches her services to more than 600 users. Her study guide contains a biography of director Spike Jonze, essays, quiz questions, major themes, characters, and a full summary and analysis. Movie Analysis : Spike JohnzeDirected By Spike Jonze 1004 Words5 Pages By contrasting Theodore Twombly with his surrounding scene, Spike Jonze illustrates how relationship can possibly evolve in the future and affects human interaction with each other. Relationships and Technology in the Modern World An Analysis of a Spike Jonze Film: Her By: Xiara Rodriguez Sept. 13, 2016 Her, a Spike Jonze film, explores real life issues between a man and an operating system. We know where he is and what he is doing and when he is doing things throughout the entire film. Throughout this film we experience the blossom and decay of love and relationships. The main film that comes to my mind where I find this is also achieved is Stranger Than Fiction (Marc Forster 2006). Theodore becomes a limited equation – a book to be read and understood through Samantha’s eyes. The main character, Theodore, is in the midst of finalizing his divorce. Then, when his relationship with Samantha ends, Theodore is once again in a period of sadness and disenchantment. How does this translate into our physical human world and our capabilities? This is the brilliance of Her. Are computers capable of human behavior and human thought? This is where I found Jonze’s film so compelling – I felt my own limitations more than I saw Samantha’s limitations as a software program. He is alone, and in his loneliness he doesn't have the courage to do what needs to be done. “I thought this song could be a photograph that captures us in this moment of our lives” – Samantha (Johansson), “I can see you in it” – Theodore (Phoenix), http://www.youtube.com/watch?v=da-ELYFRFpc. Her essays are academic essays for citation. The World Through Your Eyes: On Spike Jonze’s Her Senior Project submitted to The Division of Social Studies Of Bard College By Thatcher Snyder Annandale-on-Hudson, New York Acknowledgments Two years ago, when I began He’s looking at something off camera, deep in thought. If human emotion is predictable, Jonze hyper-emphasizes this depressing thought by constantly calling attention to Theodore’s physical body and Samantha’s spiritual presence. resource to ask questions, find answers, and discuss the novel. For example, technology and society have advanced to such an extent that Theodore's job is writing beautiful handwritten letters on behalf of other people, but he does so by dictating text to a computer. It has to be her because in reality Samantha only exists in Theodore's mind/life. 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